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The Synth-Pop Duo's Musical Force Dave Ball Passes Away, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell with Marc Almond in Leeds during 1977

The talented musician, a key member of the pioneering 1980s synth-pop band Soft Cell, has died at the age of 66.

Alongside vocalist Marc Almond, the team achieved a global success with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album their initial full-length release is considered a classic of electronic music.

He later founded the pioneering electronic act The Grid, who achieved popular acclaim with their 1994 single Swamp Thing.

Ball died calmly in his rest at his home in London on Wednesday 22 October, only a short time after performing a headline show with Soft Cell at the Rewind music event in the Thames-side town.

Recent Health Challenges

At that performance, Ball appeared in a mobility chair, as he had for the last two years, following a period of health issues.

"I managed to injure myself significantly," he commented in 2023. "I fractured lower vertebrae in my back and fractured about five ribs and fractured my wrist."

Following catching pneumonia and developing sepsis, he was put in an induced coma and stayed in hospital for half a year.

However, he had been in "high spirits emotionally" over the summer, as he worked on a fresh record with Almond, called the upcoming Danceteria, which is scheduled for publication next year.

"He was focused and very pleased with the new album that we actually finished only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I find comfort from the fact that he heard the finished record and believed that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the forefront of the synth-pop movement in the beginning of the decade

Tributes

Almond referred to his collaborator as "an exceptionally talented creative mastermind", adding: "He was the core essence of Soft Cell and I'm extremely pleased of our body of work.

"Many thanks Dave for being an significant aspect of my existence and for the music you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, remembering Ball's "endless laughter" and "unwavering friendship".

"Being in a partnership with someone is distinct from joining a group, the bond is very tight," he added.
"That was the case with us. We experienced so many remarkable, extraordinary, memorable moments together. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at a radio station in recent years

Early Life

Brought into the world into a one-parent family in Chester in the late 50s, Ball was put up for adoption when he was a year and a half of age.

He grew up in the seaside town with his new family Donald and Brenda Ball, who changed his first name from his birth name to his adopted name, alongside his sibling Susan, who was also adopted.

He encountered Almond at Leeds Polytechnic in 1977, where they were both learning fine arts. Inspired by a mutual passion of Northern Soul, they formed Soft Cell the same year, and promptly recorded an extended play.

Creative Collaboration

The duo were an unusual combination: Ball was the quiet technician, bent over his keyboard, while Almond was a charismatic performer, all glitter and eye-liner; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after viewing the band Kraftwerk appear on a television science show Tomorrow's World, and began to combine dark electronica to the catchy tunes Almond was writing.

Tainted Love became the UK's second most popular single of the early 80s, selling 21 million units worldwide. Together with hits by other artists, Human League and electronic acts, it helped cleared the way for the synth-pop sound of the 80s.

The track was also featured on their first album, their initial LP, which spawned two additional top five singles: Bedsitter and Say Hello, Wave Goodbye.

They continued the record up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The duo were working on new material until just before Ball's passing

Professional Journey

Success had its upsides. "I loved being able to purchase my first home, having financial security and exploring, which makes me sound like a beauty queen," Ball recently told with a publication.

But it also caused challenges. "Newfound wealth allowed we could purchase newfound drugs to relieve the boredom" of media interviews and TV performances, Ball explained.

"I realize that's a common saying, but it's a truism for a valid cause, because it applies for so many bands."

During the party-filled existence, the pair were also drifting apart, but they managed to produce a second memorable record - the wayward, edgy and fittingly named The Art Of Falling Apart.

They put out another album, their 1984 release This Last Night In Sodom, before dissolving the band to focus on individual endeavors.

Almond proceeded to have a successful solo career, including the chart-topping single Something's Got A Hold Of My Heart; while Ball created The Grid, who mixed dance music with ambient pop over a long-lasting collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the charting record Cruelty Without Beauty.

After a further break, they returned in recent years, issuing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was supposed to be a farewell show at the O2 Arena on September 30, that year.

Yet, they remained active, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball lately characterized the band's upcoming release as a tribute to the NYC nightlife they visited while making their initial records.

He added that his time in hospital had shaped the band's sound.

"I experienced strange recollections when I was coming and going of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the noises in my mind from that time.
"Simultaneously, it's about the times we got up to in the 80s."

The last versions were finished only a short time before Ball died. It is due for release in the spring of 2026.

AW
The writer

Alicia Wilson

Alex is a seasoned film critic and entertainment journalist with a passion for uncovering cinematic gems.

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